With harrison ford, julia ormond, greg kinnear, nancy marchand An ugly duckling having undergone a remarkable change, still harbors feelings for her crush Musing about “sabrina,” i formed some notions about why the plot is so powerful It gives us the myths of cinderella and the ugly duckling, inserts some powerfully murky freudian impulses, and wraps them up in a romantic comedy If it’s halfway well done, it can hardly fail. Mortal teen life and her family's legacy, the church of night
Watch trailers & learn more. The 1954 romantic dramedy, directed by billy wilder, stars the great audrey hepburn as sabrina, the young daughter of a wealthy family’s chauffeur. But when sabrina, daughter of the family's chauffeur, returns from paris all grown up and glamorous, the stage is set for some family fireworks as the brothers fall under the spell of hepburn's delightful charms. There is an unpredictable, slightly meandering quality to the melody, with surprising modulations between major and minor modes that threaten to lead it to a darker place, conveying that sabrina, (or any of us) might easily make a wrong choice in life.
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